Monday, September 20, 2021

KILLIAN UNBOUND




Princess Sabina has always obeyed her father, King Norwen. But when he plans to marry her to a ruthless prince, she runs away. Soon captured, she’s thrown into a tower cell to await her punishment.

The prison is already occupied -- by a terrifying ghost. Hiding her fears, she befriends him, hoping they might help each other. As they grow close, she realizes he’s not a phantom but an enchanted mortal who remembers nothing of his past. Physical contact with Sabina is the key to bringing back the memory of the man she learns is named Killian. The more intimate they become, the more he remembers.

Their shared adversity forges a bond between them, but will they be free to acknowledge their love for each other, or will her ruthless father capture her and drag her away from the man she’s coming to love?

Sunday, May 08, 2016

Preview from SUMMER HEAT

I’m excited to tell you I’m in a new boxed set coming out May 24 and up for pre-order now.

My story is OUTLAW JUSTICE about a couple who had a burning-hot relationship eight years ago. Now she’s on her husband’s murder list, and only Steve Justice can save her.  Here’s the first chapter.



CHAPTER ONE

“Just great,” Steve Outlaw muttered as he took in the beer bottles, pizza boxes, and other debris littering the floor of his mom’s old house on the Eastern Shore of Maryland. Obviously, the last tenants had trashed the place.

The mess was bad enough, but something else made his senses tingle. The scent was wrong for a dwelling that had been closed up for weeks.

It smelled like someone was in here. Or maybe burglars had recently broken in, then cleared out.

He stifled a curse. If he’d still been on the job with the Baltimore PD, he would have been carrying his service revolver. But he’d quit six months ago after recovering from a nasty gunshot wound to the leg. Medical had wanted to keep him on desk duty, and he’d been too restless to sit on the sidelines.

Now he looked around the room, hoping to see something he could use as a weapon. When he spotted a broom leaning against the sagging couch, he picked it up and held it in front of him as he turned toward the closet near the door. The bad leg ached from the effort to move quietly. He ignored it and kept going.

The closet was clear and so were the dining room and the kitchen, except for a couple of folding chairs lying on their sides. But the smell of humanity was stronger near the pantry, and when he threw open the door, a figure leaped out, trying to knock him down in a frantic rush to escape. Since he wasn’t entirely steady on his feet, the tactic almost worked. Dropping the broom, he spun to the side, grabbing a slender arm and wrenching the intruder toward him.

The light was dim, but the breath froze in his lungs when he saw her face. Was he making it up? Or was the woman standing in front of him really Leah?

For a moment he was transported back to the last steamy afternoon they’d spent here, her naked body pressed to his, her fingernails digging into his shoulders, her lips moving urgently over his. In his teenager’s bed, the blue of her eyes had deepened with need, and her chestnut-colored hair had been a tangle around her elegant face.

Not now. His mind snapped back to reality as he saw her breath quicken and her hand tremble—not with passion but with fear.

“Leah?” he asked, struggling with his own roiling emotions as past and present collided.

Her head bobbed in answer to the sound of her name.

Trying to cope with this out-of-kilter meeting, he asked, “What in the name of God are you doing here?”

She glanced at him, then down at the tips of her running shoes, as though she could avoid confrontation by looking away. Although he didn’t want to break the physical contact, he could feel the tension radiating through her. To give both of them a little space, he let his hand drop away from her arm, but he kept his gaze fixed on her, hoping she wasn’t going to make another run for the door.

In a voice he had to strain to hear, she answered, “I couldn’t think of anywhere else to go.”

Again his mind zinged back to the intimate weeks they’d spent together in this very house—before she’d gone off to Boston University. He’d thought they’d resume their hot and heavy sexual relationship when she came home for Thanksgiving vacation. Instead, she stayed in Boston for the holiday because she’d met a guy named Warren Pendelton.

After reading her carefully worded letter, he’d snatched a beer mug off his desk and thrown it across the room, where it shattered against the wall. As the weeks dragged on, he’d gone from anger to resignation, yet he couldn’t let go of a tiny spark of hope—until she’d married the bastard the next year and dropped out of school.

He’d known he had to get over her, and he thought he’d succeeded. But as they stood facing each other, all the unfinished business simmering between them seemed to explode inside his head.

Struggling for some perspective, he tried to focus on the immediate problem—whatever it was.

“You can’t go home?”

He wasn’t prepared for her explosive laugh—or the way she sobered immediately—as though she’d allowed herself a few seconds of emotion that she was fighting to keep under strict control.

Raising her head, she met his questioning gaze. Her voice turned edgy as she said, “Sorry to intrude. I’ll get out of your way now.”

END OF CHAPTER ONE

 
And as a special present to readers, we’re giving away a cookbook based on the boxed set, where each recipe is tied to one of the stories in the collection.


You can get COOKING WITH THE AUTHORS OF SUMMER HEAT at these venues:

Amazon
Barnes and Noble
Kobo
Apple

Monday, June 29, 2015

FRESHENING YOUR WORK

If you write for a long time, you may find that you repeat yourself.  I mean, how many ways can you have your bad guy try to kill your hero and heroine?

Murder isn’t the only aspect of my stories where I try to be creative.  Yeah, a lot of my heroes are agents for Decorah Security, and a number of them are even werewolves.  Plus a lot of my heroines make their living from the arts, because those are professions I can identify with.  And as an added bonus, when murderers come at them with a knife or a gun, they’re free to pack up their paintbrushes or cameras and disappear.

One thing I try to do in my work is set my stories in interesting places.  I used Washington, DC, a lot because the city has cachet in the world of spy novels.  It also happens to be the city where I grew up, so I know it well.

Similarly, I often use Columbia, Maryland, because I live here now.  And right down the road is two-hundred-year-old Ellicott City, where the kitschy shopping street is wedged between massive cliffs leading down to the Patapsco River.  Another location I go back to again and again is Maryland’s Eastern Shore because of the colonial charm, waterman culture, and opportunities for small-town politics.



I’m kind of embarrassed to say that I don’t know as much about some of the other locations around my state.  But I had an opportunity to remedy that situation at a Blogger Bash sponsored by the Maryland Office of Tourism.  They got a number of writers together with marketing directors from some of the state’s counties and also some interesting vendors.  I knew Maryland had wineries.  In fact I picked up a brochure for the Patuxent Wine Trail, which includes wineries in Anne Arundel, Calvert, Prince George’s and Saint Mary’s counties.  And I had a nice chat with the winemaker from Big Cork Winery, which is thirty minutes west of Frederick.

Talking to the vintners has already got me thinking of a different kind of occupation for one of my heroines.  And something I didn’t know is that we’ve got a distillery, Lyon Distilling Company, in St. Michaels Maryland.  At the reception I tasted some of their wonderful rum, mixed with ginger beer.  Now I’ve got another interesting business to include in my description of St. Michaels, a location I do use frequently, although I call it St. Stephens.  One of my personal rules is that, if I’m going to murder people, I like to do it at a fictitious location.

One of the people I loved talking to at the bash was Betsy DeVore, the Director of Marketing and Digital Communications for the Hagerstown Convention and Visitors’ Bureau.
I’ve driven past Hagerstown a lot of times on my way west.  She made me want to stop there.  It might be cool to set some scenes at the Antietam National Battlefield or the Chesapeake & Ohio National Historical Park.



If you’re looking for interesting locations for a book, use your state’s tourism office as a resource.  The same thing goes if you’re looking for a fun day trip or overnight.

And tell me–where do you look for interesting locations to use in books–or simply to enjoy for a quick getaway?

Wednesday, April 22, 2015

Pictures for a Book Trailer—Part One

When a writer gets ready to publish her first indie book, she’s often giddy with excitement at the control she has over the project.  Not only does she get to write the book she wants without conforming to a publisher’s many requirements, she gets to design her own cover, or hire the cover artist of her choice.  Reality sets in when she realizes she’s in for hours of searching photo sites to find the perfect hunk, clinch couple or mountain landscape for her book.

But finding the right background and models for a cover is a piece of cake compared to scoring ten or so photos to make a book trailer.

The trailer for Rx Missing, my new Decorah Security novel that comes out April 28 on amazon.com, is a perfect example:

https://www.youtube.com/watch?v=bb_EadDHzeA

The story starts with my hero, Lieutenant Commander Mack Bradley, taking fire and bailing out of his F18 fighter jet. A very dramatic scene, but where could I get THAT photo?

The good news is that I could search Web sites where all U.S. government photos are free to the public.  The bad news is that the only picture I could find of an F18 that wasn’t too far away to see any details was on the deck of an Aircraft carrier.
                       
Here’s the picture I found:



Actually, it makes a good “danger” scene with all that smoke billowing up.  The problem is that there are also guys standing around the plane.  I eliminated two of them by cropping the photo. Since I don’t use Photoshop, I had to figure out some way to block out the guy right in front of the plane.  I did that with the picture’s caption.



After solving the plane problem, I went on to my h/h.  I needed a hero with short dark hair and a dark-haired heroine.   But I was going to need several different poses for the various scenes I wanted to illustrate, so I looked for people whose faces were obscured. I found a picture I thought would work on Canva (a site where you can compose various Web and print projects and buy inexpensive pictures).  Unfortunately, the shot I wanted had an inappropriate detail.  The heroine is holding a pregnancy test stick!
Could I get rid of that unfortunate detail—again without access to Photoshop?  Mostly, by writing over it with big white letters, and then adding a caption.



And what about the mad scientist I found to illustrate the medical thriller aspect of my plot.  I suspect the scientist I used is a woman—where my bad guy is a man. Go ahead and play the video a few times, and see if you think he’s had a sex-change operation.

I fudged something in almost every photo I used.

But my main goal was to get you interested in the book.  I just wish I had the budget to hire models and shoot the pictures myself. But then I’d still be stuck trying to find the right people.

Next time I’ll talk more about the video techniques I’m learning.

Tuesday, November 11, 2014

GETTING COVERED

http://www.amazon.com/gp/product/B00P5CNK1E/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00P5CNK1E&linkCode=as2&tag=ruthglick&linkId=ZSBFB3HURWKHSI4E


My new Decorah Security novella, Destination Wedding, has one of my favorite covers. It’s striking, sexy, evocative—perfect for the story about an heiress, Camille Norland, who’s kidnapped by a Russian mobster and taken to his private Caribbean island where he plans to marry her against her will. Nick Cassidy is desperate to rescue her, and he’s able to sneak onto the island and mingle with the wedding guests as he waits for the right moment to spirit Camille away. Once the story was finished, I started thinking about the cover.

There are lots of good things about indie publishing. For starters, you can write the book you want, making it whatever length works best for the story. And you don’t have to fight an editor to get the perfect title.

Then there’s the first thing the prospective reader will see—the cover. I thought that when I started indie publishing, it would be a snap to get illustrations I loved—rather than the hit or miss offerings my publishers—dare I say—slapped on my books. To be fair, some were really great. I will forever love the cover of my Harlequin Intrigue, More than a Man. Others made me want to weep or scream when the characters looked nothing like my hero and heroine, and the scene might as well have come from outer space as the manuscript I’d provided.

But I quickly discovered that getting it exactly right isn’t all that easy, and Destination Wedding is a nice example of what it takes. I wish I could do my own covers, but I don’t have the time to learn Photoshop and get good at using it. Instead I’ve relied heavily on Su at Earthly Charms. I like her because she listens to my concepts. Then she might steer me in a better direction when she knows what I’m thinking won’t work the way I expect.

I’ve come to the conclusion that a couple embracing is often the right way to go with romantic suspense. Or a sexy guy alone can work. But I’ve found that I can’t have only one idea in my head because it might not be possible with the photos available.

Because Destination Wedding takes place on a tropical island, I thought about using a beach setting—or possibly a jungle. However, background is the easy part. The hard part is coming up with a great looking guy or couple who fits your story. And finding him/them usually means looking at screen after screen of sexy men. (Admittedly a lot more fun than actually sitting and writing.)




I found a guy who was almost perfect for the Destination Wedding cover. He’s wearing a tuxedo shirt unbuttoned and standing a beach. He’s got a great body. But I didn’t like the wise-ass expression on his face. Which led me to ask Su, “Can we cut off the top of his head?” She sent me back a version with his brains missing, but I thought she’d gone a little too far, so she adjusted the cut to show his sensual mouth. After we took care of the face problem, I needed to find a woman who worked for the would-be bride in the story. That sent me back to the stock- photo sites, this time looking for a long-haired blond in a wedding dress. I sent Su several candidates, and she made the final choice. Luckily there was no problem about the two of them touching. As you can see, she’s standing in the background, looking out to sea, praying he’ll show up and rescue her before the wedding night.

Often my covers need a separate background. In this case, the shot of the guy on the beach cut out that step. Su put the picture together and added my name and the book title. Now if you’ll just send me URLs of great-looking guys or hot but tasteful couples embracing, the next job will be even easier.

What attracts you to a book cover? Do you want to see an embracing couple? Is a hot guy alone as good?


Saturday, September 14, 2013

JACK'S APPLE BETTY

Jack Brandt, the hero of BAD NIGHTS, my new Sourcebooks romantic suspense release, had parents who separated when he was young.  But he did have a few good memories from his childhood, including some of the desserts his mother used to make.  This Apple Betty is one of his favorites.  It’s a little like bread pudding but with more fruit than bread.  Recently Jack was lucky enough to have found the right woman, Morgan Rains, who loves cooking.

This recipe is for her, so she can surprise Jack with one of his all-time favorites, but I hope you’ll enjoy it, too.  Note that I’ve taken a lot of the calories and carbs out of the dish by using Splenda instead of sugar.  I’ve used a combination of red and Granny Smith apples, and I’ve left the skins on.  You could also peel them if you like.

Makes six to seven servings.





1 cup Splenda
1/2 tsp ground cinnamon
8 cups cored and cubed apples (about 8)
4 cups light bread cubes (I like to use Light Oatmeal Bread)
1/4 cup melted butter or margarine

1. In a 1-cup measure, stir together the Splenda and cinnamon.

2. In a large, microwave-safe bowl, stir together the apples and Splenda mixture.  Microwave on high power for 8 to 10 minutes, stirring two or three times, until apples are partially cooked.

3.  Meanwhile, spread the bread cubes on a cookie sheet with sides.  Toast in the broiler 5 or 6 minutes, stirring frequently, until cubes are browned.  Watch the cubes carefully to make sure they don’t burn.

4.  Preheat oven to 350 degrees.

5.  Transfer apples and cooking juice to an 8 ½ by 11-inch baking pan.  Stir in bread cubes.  Slowly drizzle the melted butter over the mixture.  Stir to coat well.

6.  Bake for 25 to 30 minutes, stirring once, until the apples are cooked through.

I serve the Betty with no-sugar-added ice cream or half and half. It will keep in the refrigerator for two or three days.

Monday, June 17, 2013

Turkey and More

As you may know, I’m married to Mr. Travel.  He loves exploring the U.S. and the world.  And I've heard him brag recently that we’ve visited the sites of five of the seven wonders of the ancient world.  I say “the sites,” because most of them—like the Colossus of Rhodes—have fallen to dust. (Or scrap merchants, in the case of the Colossus.)  We saw the Great Pyramid of Giza on August 12, 2001.  I remember the date because we had been in Nairobi the day before, after a safari in Kenya and Tanzania.  If we’d been traveling a month later, we would have been grounded and unable to return to the U.S. until the 9/11 flight ban was lifted.

My husband’s latest delight was visiting the site of the Mausoleum at Halicarnassus. (Another ancient wonder.)  You can no longer see it, but its parts live on as building blocks in the castle at Bodrum, Turkey.



Our visit to Turkey began peacefully enough, with walking tours of the famous sites in Sultanahmet, the old-city part of Istanbul.  We marveled at Hagia Sophia, the Blue Mosque, the Hippodrome, Topkapi, the Mosaic Museum, the Grand Bazaar.  And my favorite was the old Basilica Cistern near the Hagia Sophia. You go down into a watery cavern, supported by columns stolen from various Roman and Greek temples.  To even out the height, one sports a giant head of Medusa at the base.

My writer friend, Patricia Rosemoor, joined us near the end of this Istanbul visit. Then we all flew to Cappadocia, a region of weird rock formations, many hollowed out as living quarters, and even an underground city—going back to the time of the Hittites.  We stayed in a cave hotel and took a balloon ride over the unique landscape. Bodrum was next, where we all climbed around the castle, admired the gardens, the statues and the view of the harbor. One highlight was the “Museum of Underwater Archaeology,” where recovered shipwrecks and the goods they carried were displayed, some from the 25th century BC.  (That date is not a typo!)


We’d planned our trip to Istanbul to take in the antiquities first, then later returned to stay at a hotel on the Bosphorus, where we could visit the Asian side of the city. But when we came back to Istanbul from Bodrum, we ran smack into the protests.  Our hotel was close to the park that the protesters want preserved. From our eighth-floor window, and also from the windows in the dining rooms, we watched police hurl tear gas and try to clear the area with water cannons.  And at 2:00 a.m. one day, tear gas seeped into our room, stinging my eyes. The violence wasn’t all on the part of the police, however. We watched protesters remove paving stones and billboards to make barricades, which we had to walk past to leave the hotel.


People have asked me, “Were you scared?” No, but the riots trapped us inside the hotel for a day. Finally we did get out for a visit to the Spice Market and took a Bosphorus cruise—being careful to get back before the evening rioting started again.

I know I’ve been a witness to history in the making.  Actually, what I saw on our return trip to Istanbul saddened me.  There’s so much to see and do in Turkey. Although we only scratched the surface, we enjoyed many unique experiences you won’t see anywhere else. We loved the ancient sites, the shopping, and a glimpse into another way of life. The people were warm and friendly.  One highlight of our trip was a home visit to a family in Cappadocia, where the mom and daughter-in-law fixed us a delicious meal, and one of the school-age boys brought us a newly-hatched chick to admire.  Another great interaction was with the man in charge of the breakfast room in our first hotel in Istanbul.  I’d bought cat food for a stray mom cat and her kittens, then found out he was sneaking them cheese.

As I traveled around, I saw a lot of people whose jobs are dependent on the tourist industry. People working for Turkish Airlines, in hotels, restaurants, bazaars, at the attractions and in the Bodrum marina. And there were scores of tourists—from the U.S. and Europe.  But I think the government’s repressive reaction to the protesters has seriously cut that source of income. I know people who have already canceled trips to Turkey. And every time I read about the unrest, I pray that the people and the authorities can come up with a peaceful resolution—quickly.  But I honestly don’t see it happening.

Maybe some year you’ll get to see the fantastic sights I saw in Turkey. But I don’t think it’s going to be soon.

Monday, March 18, 2013

Research and Fun in Central America


       The next book I’m writing for Sourcebooks, BETRAYED, features a heroine from Central America, and I picked up some fantastic background material for her while on a trip to Central America a few weeks ago.  I learned about the educational system, the drug trade, health care, and political corruption.  And I watched the military men striding around with their automatic weapons at the ready.

       There’s so much to recommend this part of the world that I keep going back.  I love the people, the birds and animals and the amazing flowers.  And I especially love tramping around Mayan sites where thriving cities flourished more than fifteen hundred years ago.

       In Belize we started our trip at a zoo Harrison Ford helped establish when he was filming Mosquito Coast. All the animals there are native to Belize, including this boa constrictor I’m holding.
 

We also visited Mayan ruins in the country, including  Cahal Pech and Xunantunich.  Although the stone carvings at Xunantunich are a reconstruction, they make a very impressive presentation.  And getting there was half the fun---crossing a river on a cool ferry that the operator worked with a hand crank.

       The most jaw-dropping ruins we saw were at Tikal in Guatemala, which we had visited 19 years ago.  We loved coming back and seeing how much more of this “New York of the Mayas” that archaeologists have uncovered.  Here’s a picture Norman took from the top of temple 4, which is 212 feet tall. I climbed up the switchback staircase that’s been installed so you can get to the top relatively easily, but I hate heights; and with a whole bunch of people milling around on the narrow ledge up there, I didn’t stay long.


      Another highlight of our trip was beautiful Lake Atitlan, formed by a gigantic volcanic explosion and still ringed by volcanoes that belch smoke and ash.  Our hotel was right on the water, and we took a boat trip from their dock to several villages where we visited a weaving cooperative and a street market. As we motored into one village, we saw how the level of the lake is rising, swallowing trees and buildings along the shore.

     
And here are vegetables at the indoor market in a village called Chichicastenango.  


       Our next stop was Antigua, a World Heritage city, where we stayed for three days, exploring the cobblestone streets, the ruins, the markets, and several museums, like the Mayan music museum.



       One of the highlights of the trip was an abbreviated Mayan ceremony, where we purified ourselves with bunches of rue and cast colored candles into a fire in a metal cauldron.  It was the dry season, but as we tossed blue candles symbolizing water into the fire, a light rain began to fall.


  Here’s an Antigua street scene near our hotel.


 I loved the macaws at the entrance to Copan. 



The carved stelae inside the ancient site are spectacular.


And here’s a replica of the temple that archaeologists found underneath another temple–so that the coloration on the exterior was preserved. 


And look at Norman providing a perch for some parrots.


       We had a fantastic time exploring Belize, Guatemala and Honduras. In fact we liked it so much that we’re planning another trip in January–to two of the places we liked best, Antigua and Lake Atitlan.

       Do you like to travel.  And if so–what’s your favorite destination?

Thursday, February 14, 2013

New Look for my Blog


With the help of the incomparable Paula Graves, and a power assist from the ever-talented Norman Glick, I’ve got a new look for my blog. And if you rush over to www.freepartay.com , you can get a copy of two of my Decorah Security stories for FREE (today only!) on Amazon. And when you get to the free ParTay, you’ll see a lot of other authors you will want to buy.

I’ve heard disputes about giving away books on Amazon. Some authors think that it works as great publicity. Others think that so many free books mean readers will just wait until a book goes free. I’ve had On Edge and Ambushed free yesterday and today, and I’m getting a lot of sales for my other books at the same time. Going free has worked for me as my primary publicity tool. Every time I do it, I get increased sales. What do you think about free books as publicity? Are there too many? If you’re an author, has it worked for you?

I’ve put my books free through Kindle Select. I know there are authors who also have a book “permafree” by having Amazon price-match free books in other venues. Which do you think works better?

And, by the way, how do you like the new look for the blog?

Tuesday, January 15, 2013

The Joy of Short Stories



I have friends who love to turn out long books. For some writers, 150,000 words a pop is nothing. The mammoth novel has never been my favorite form. If I have to pick my natural length, it would probably be the novella. And the short story is also a treat for me.

Too bad I wasn’t born soon enough to take advantage of the golden age of short stories in the Nineteen-Twenties and Thirties. Back then, the major writers like F. Scott Fitzgerald, Ernest Hemingway, and Edith Wharton could live off the income from stories—sold to popular magazines such as Colliers and The Saturday Evening Post.

I read a lot of those stories later when I was an American Studies major at The George Washington University and then as a graduate student at the University of Maryland. And I loved them.

But my fondness for the form actually started earlier, when I discovered science fiction as a kid. From the age of ten until into my twenties, science fiction was a lot of my leisure-time reading. And the most frequent variety was the short story.

I’m going to skip over decades when the short story declined in American culture, mostly due to the dying out of the magazines that published them. It’s more fun to go right to today’s resurgence of the market. And I’ll credit the rebirth to indie publishing. You don’t have to be invited into an anthology to write a short story today or find a magazine that still buys them. You can write the stories that stir your creativity and publish them in e-format.

Some authors are doing them to keep readers happy between novels. Others are writing them because they have an idea they want to explore that won’t work in novel form but may be perfect for a short story.

I’ve done a couple of them myself—AMBUSHED and HOT AND DANGEROUS—as well as a novella, CHAINED.

All of them are the kind of fast-paced romantic suspense I’ve been writing for years, where a man and a woman fall in love against a backdrop of terrible danger. The risks intensify the emotions building between them. And the hero is likely to be a guy with paranormal powers that add to his sexual appeal and his warrior skills.

I’m loving the freedom that the indie market has opened up for writers—especially the ability to publish stories of any length you want. And luckily for us, readers are appreciating these shorter works, too.

What’s your favorite story length for leisure reading? Or do you love the freedom to choose what’s best for your mood of the moment?

And stop by Lunch Time Reads at http://bit.ly/TYxidH , where you can find some great short stories by favorite authors, each for 99c.


Tuesday, January 08, 2013

Authors Unleashed


Where do you get your ideas?  That’s the question I hear the most from fans and people who don’t spend their lives writing fiction.

I used to give a flip answer---that I bought them from a little shop in Ellicott City, the charming old town just down the road from my house.

Now I tell the truth.  If you’re a writer, ideas for stories whirl around in your mind all the time.  You just have to choose which ones you’re going to develop.

Until a few years ago authors were restricted to writing the stories publishers wanted to buy.  Now there are no restrictions.  You can write anything you want, publish it yourself, and sell your work to readers.

I jumped into the indie market just over a year ago with a novel, DARK MOON, a novella, CHAINED, and a short story AMBUSHED.  During 2012 I added another novel, DARK POWERS, and a short story, HOT AND DANGEROUS, all the while keeping up my “day job,” writing for Harlequin Intrigue, Sourcebooks, and Carina.

This month, I’ve put several of the above titles together into a DECORAH SECURITY COLLECTION that’s doing really well on Amazon.

Indie publishing is a wild ride with some big advantages and also some disadvantages.  Nobody tells you how long to make the book.  If you have an idea that will work better for a short story than a novel, you can go write and publish it. And nobody censors you.  If your bad guys tend to use the F word when they’re angry, they can sling the trash talk with the best of them.

Then there’s the book cover. Over the years, I’ve been disappointed by so many of the covers my publisher has provided for my books.  Now I get to pick the guy, the pose and the background.  It’s exactly MY vision of my story, which is more satisfying than you know.

And it doesn’t matter if romantic suspense is “in” or “out” or if an editor wants paranormal or not.  I can do it my way.

Of course, you don’t have the support of a big publishing company behind you.  You pay the  cover artist.  And you need to find a good editor and a copy editor---if you want your work to be as polished as possible, with no typos or pesky spelling mistakes.  Then you either learn how to put it up on Amazon and other sites, or you find someone to do it for you.  After that, nobody is going to push your book but you. You’ve got to stay active on social media and interact with fans.  Which is fun, since it keeps you connected with the world from your writing cave.

There are frustrations in the self-publishing business.   But the control over my work outweighs them.  Next up in the DECORAH SECURITY series is ON EDGE, a prequel telling  how Frank Decorah got to be the head of Decorah Security.

I’ve got a couple more projects on the drawing boards as well, which means there’s lots more work for me ahead.  And I hope a lot more reading fun for you.

Thursday, November 29, 2012

CRANBERRY ORANGE SAUCE RECIPE


When I want to take a break from writing, I often head for the kitchen. I’ve made this wonderful cranberry sauce before, and I finally made myself write down the recipe as I worked.  It’s great on turkey, ham or lamb.  I also love putting it on my breakfast cottage cheese.



Cranberry Orange Sauce
Makes 4 cups


2 12-oz bags of fresh cranberries
1 navel orange
4 cups water
2 ½ cups Splenda

1.Wash and pick over cranberries. Transfer to a large saucepan or small Dutch oven, and set aside.

2. Cut stem and navel end off of orange, and cut into eighths.  Place in a food processor, and process until chopped.  Transfer orange to pot with cranberries.

3.  Add water and Splenda.  Bring to a boil, then lower heat so that cranberry-orange mixture simmers.  Simmer for 30 minutes.

4. Bring mixture to a boil, and cook at a low boil, stirring frequently, for ten minutes until sauce has been reduced by about one third.  Be careful to keep sauce from sticking to the bottom of the pan. Cool and transfer to refrigerator or freezer containers.  Cranberry sauce will keep for up to a month in the refrigerator and up to six months in the freezer.


Sunday, September 02, 2012

The Cookie Queen Has Done It Again


To say that my cookbook author friend Nancy Baggett has an enduring passion for cookies may be an understatement.  Cookie crazy even crosses my mind, so I start the conversation with my long-time writer colleague and occasional cookbook collaborator by asking her if this label is apt.

“I don’t know about crazy,” the youthful-looking grandmother of two responds with a laugh. “But I have been an avid cookie baker since I was about six and have been professionally creating cookie recipes and writing about them for more than thirty-five years.” No doubt those decades of experience help explain why noted food editor Nancy Wall Hopkins of Better Homes and Gardens refers to   Baggett as the “cookie queen,” calls her recipes “flawless,” and says they’re ones Americans “will want to bake again and again.”

The cookie queen’s years of experience and reputation for meticulous recipe testing are also likely why so many other culinary professionals consider her the nation’s top cookie expert. Over the years, she’s developed recipes and written articles for a large share of their publications, including Bon Appetit, Woman’s Day, House Beautiful, Family Circle, Cooking Light, Eating Well, Fine Cooking, Country Gardens Magazine, The Washington Post,  and The Los Angeles Times to name only a few. And, oh yes, they know her from her popular and critically acclaimed cookie books. The ink is just dry on her third huge, well-photographed, full color work on the subject, this one titled Simply Sensational Cookies.

As we head towards the family room, I notice the aroma of vanilla, butter, and chocolate in the air. In her pleasant, well-appointed kitchen I see a long granite island covered with tidy racks of hot pink, yellow, and burgundy-iced flower-shaped sugar cookies and what appear to be several hundred almond-studded chocolate biscotti laid out on more racks over by the stove. Two corner walls are decorated with large pegboards holding dozens of cookie cutters.  Ahead on the den mantelpiece I spy two charming little cookie houses on display.  When I comment on them she tells me her granddaughter decorated the Valentine’s Day-themed cottage all by herself.  “She was sooo proud,” she notes.

 “Cookies, cookies everywhere, and not a one to eat!” She waves toward the countertop and paraphrases the famous Coleridge “Ancient Mariner” line as we walk past. “Those are all going with me to a food conference,” she says, “so I can only give you a couple to sample.” She explains that the “painted daisies” cookies are featured in her Simply Sensational Cookies book, and emphasizes that they are iced with “all natural colors.” When I look skeptical she adds that the bright shades come mostly from readily available fruit juices. “NO petrochemical food dyes involved, and NO mashed beets or boiled purple cabbage either!” she says, clearly pleased with that line.

“I had to come up with some easy ways to create naturally beautiful cookies because I enjoy crafting and decorating with my grandkids, but absolutely don’t want them eating sprinkles and icings loaded with Red # 40, and Yellow #5 and #6 and the other usual food color suspects,” she explains. She adds that a few years back she developed a severe allergy to the very similar red and yellow petrochemical-based “azo” dyes found in lipsticks, so also prefers to avoid eating food dyes herself. “I’ve included all the traditional decorating recipes in the book, but felt it was really important to offer healthier alternatives to those who want or need them,” she explains.  She then mentions that with more and more commercially prepared foods containing artificial colorants and other unnecessary additives these days, “many home bakers and cooks are worrying and want to take control and banish the iffy products from what they make.”

I’d planned to ask Baggett how, after two highly-regarded and very comprehensive cookie tomes already on her resume (one was an IACP and James Beard cookbook award winner), she could possibly offer anything new in her Simply Sensational Cookies. But now instead, I reformulate and ask whether the emphasis on natural ingredients is what’s novel in this latest title. “Partly, but it’s different in more fundamental ways,” she says. “In the other two, I delved deeply into culinary history and mostly celebrated the cookies people traditionally bake around America and the world.”  She says that in contrast, her latest book focuses more on the “contemporary cookies people are baking now, or soon will be,” though she has included streamlined and updated versions of classic, too. “We tend to have fewer hours to devote to baking today, and we like bolder flavors and more decadence even in the old favorites,” she notes.

She says that the word “simple” in the book title reflects an emphasis on easy throughout, and this also sets the new book apart.  “Many of today’s most avid cookie bakers barely know how far to drop a drop cookie,” she observes, “and even if they do, they’re only home long enough to dash in, throw together a quick batch and rush off again.” So, she says that all the recipes are streamlined as much as possible, and notes that the book devotes several chapters to semi-homemade cookies (featuring doctored logs of store-bought dough), no-bake cookies, and “extra-easy” ones calling for pared-down ingredients and steps.

 Plus, she says that the large majority of the recipes in the book are new. “The introduction of chocolate morsels has completely altered and is still changing the American cookie baking repertoire—even now ‘modernized’ and novel offerings are appearing almost daily,” she states.  She cites the ongoing “chocolification,” phenomenon—the habit of  jazzing up  and revamping all sorts of formerly “plain” peanut butter, oatmeal, butter cookies and shortbreads with chocolate chunks or bits or various other flavored baking morsels. Some additional current trends she says she capitalized on in developing the Simply Sensational recipes: The taste for complex flavor combos simultaneously featuring  hot, salty, spicy, and even smoky all at once. The creative use of fresh herbs like lavender, sage and rosemary, edible flowers, green tea and exotic spices.  And the growing popularity of “really fun ‘crossover’ and semi-savory cocktail cookies” that combine the characteristic of crackers and cookies. “In one chapter I’ve taken the ideas behind good old grahams, animal crackers and cheese straws and run with them—think thin, crisp chocolate chip wafers, grissini-like Cajun hot sticks, and buttery tarragon-chevre nuggets,” she says.

All this talk of cookies has made me very hungry, so I’m primed when she suggests we wind up and enjoy a cup of tea and some samples. Truthfully, I’ve eaten many of Nancy’s cookies before, so I’m already predisposed to enjoy them. But the chocolate-almond biscotti are even more chocolatey and nutty, not to mention more munchable, than I expect.  “Three sources of almond—paste, extract and toasted slivers—and two sources of chocolate flavor—cocoa powder and chocolate morsels,” she explains.

 The painted daisy sugar cookies are even more of a revelation, because the glossy, eye-catching icings on top add zing and fruity flavor instead of just the bland layer of super-sweetness  normally contributed by artificially colored decorations. “These are not only pretty, but taste wonderful,” I say. All hail to the cookie queen; she’s done it again!


If you’re interested in knowing more about Nancy’s book, or would like to see some of her recipes or photography, visit her blog at www.kitchenlane.com. You can follow her on Twitter at nancybaggett; or on Facebook at NancyBaggettBakes;


Monday, June 18, 2012

LOCAL INSPIRATION


I was shopping in Ellicott City a couple of weeks ago. I should go down there more often just because it’s a good place to soak up charm. It’s a 250-year-old town about fifteen minutes from where I live in Maryland. The kind of place where you drive right out of the modern world and into the past. I’m lucky it’s so close by, and I’ve used it in several of my books, including HER BABY’S FATHER, my Harlequin Intrigue coming out in September. 


Strolling the narrow streets and driving up into the steep hills above Main Street give me inspiration for books. It’s kind of like going to an ancient European town. Main Street is deep in a river valley, lined with stone buildings that have been converted to shops and restaurants.  There are antique dealers and quirky boutiques you won’t find anywhere else. And there’s a railroad museum, converted from the first terminus of the Baltimore and Ohio Railroad, which came to Ellicott City from Baltimore.  In 1830 a horse raced a train speeding along the tracks, and the horse won.

One shop I love is the Forget-Me-Not Factory.  
It’s got all kinds of weird and wonderful stuff--from dragon and wolf ornaments to costumes I might want to wear at the RT Booklovers Convention. On my last visit, I found a deck of cards with three howling wolves on the back, I snatched them up. They’re perfect for me. I love wolves, especially werewolves, of course. 
Writers get their inspiration from anything and everything around them.  Over the years, the charming streets of Ellicott City have given me a lot of  food for thought, starting way back when I wrote for Dell Ecstasy. Remember that line? If you do, you’re admitting that you were reading romances in the early 80’s—when I started writing them.

Before I became a novelist, I began my writing career as a newspaper reporter, and one of the papers I wrote for was the Howard County Times, which was published in Ellicott City.  Back before they got the flood control straightened out, the town would be inundated with water during bad storms like Hurricane Agnes in 1967. That storm made an impression that stuck with me, and in RELUCTANT MERGER (published in 1983), I had my reporter heroine trapped in the newspaper plant during a flood—which I moved down by the river to make the setting more dangerous.  The water was rising, and the newspaper owner hero came charging to the rescue. They had to save each other from drowning and ended up making love, of course. 

The hero of my novella “Remington and Juliet” has an estate outside of Ellicott City.

Several of the werewolf heroes in my Moon series live in Ellicott City. They don’t care much about the charm of the old town, but they do like the surrounding wooded areas where they can change from human to wolf form and go for a nice run where nobody’s around. 

I love traveling, and I get lots of ideas for my books from far-flung locations. But I’m lucky that I don’t have to travel far to soak up some of the best atmosphere around.

Do you have an area near your home that’s oozing with charm?

Comment or tell me what you think of the cover of HER BABY'S FATHER for a chance to win a copy of my Harlequin Intrigue, SUDDEN INSIGHT.


Friday, March 02, 2012

The Roots of Paranormal Romantic Suspense


      I write paranormal romantic suspense, but several years ago, when I was preparing a talk on the horror genre, I realized that the roots of my books reach all the way back to the dawn of time.  One of the ways the shaman of an ancient tribe maintained power over his people was to protect them from the scary creatures who roamed the night.  In those ancient monsters are the ancestors of today’s literary vampires, werewolves, demons, ghosts, and all the other beasts who fill the paranormal universe.  

      Today they’ve morphed into the heroes of paranormal romance.  In my Moon series, for example, I’m writing about a family of very sexy alpha males–who happen to be werewolves.  My first werewolf was Ross Marshal in KILLING MOON, and only the right woman could help him make peace with the wolf side of his being.

       In my latest book, DARK MOON, which is also part of my Decorah Security series, Cole Marshall and another Decorah Security agent, Emma Richards, are sent to rescue a young woman who’s been kidnapped by a business rival of her father.  The man’s holding her on a cruise ship that’s been converted to a pleasure palace for the rich and kinky, and Cole has the job because his werewolf talents are going to be invaluable.  He’s got to “sniff out” where to find the kidnap victim.  At the same time, he and Emma are coping with their attraction for each other in the sexually charged atmosphere of the ship.

        In the past, shape-shifters, vampires and demons were almost always the enemy.  It was like a cowboy movie where we knew that bad guys had black hats and the good guys had white hats. But modern paranormal heroes have blurred these lines.  My werewolves may be the heroes of my books, but you never know when their savage side will emerge.  The only way Cole can save himself, on his own trying to get information is to rip out the throat of a security guard.  Then he’s got to dispose of the body, come back to Emma and pretend nothing happened.  
      Is that edge of danger and unpredictability part of the appeal of the shape-shifter?  The realization that you never know what’s going to happen.  And the knowledge that these are guys who live outside the bounds of civilization.  Often they can blend into society, but you never know when they’re going to tear off that clothing and expose the animal side of their nature.  And when they do–watch out.  Because anything can happen.

Do you read paranormal romance?  If so, what’s the attraction for you?

One commenter will win one of my fave Harlequin Intrigues.  If you want to win, please include your e-mail address, so I can contact you.

Wednesday, February 22, 2012

Romantic Suspense Heroes


I got the idea for this blog topic from the February Intrigue Authors Newsletter.  All the authors said what they were looking for in the hero of a romantic suspense novel.

This was my answer:

For me, he’s got to be tough on the outside but tender at his core.  A take-charge kind of guy who has his own inner strength and a strong sense of right and wrong–which might not dovetail with the conventional wisdom.  I mean, he might bend the law, if he thinks the ends justify the means.  And in a fight, he probably won’t stick to Marquess of Queensberry rules.

He’s got good instincts about people, a good sense of humor, a strong streak of personal loyalty.  He doesn’t take himself too seriously, and he confronts problems head-on, which is good because danger has a way of catching up with him, sooner rather than later.

He’s a complicated guy, with something in his background that makes him wary of relationships.  A woman who’s going to win his love must get past the protective wall he’s built around his emotions.

But he enjoys sex, and he’s an excellent lover, sensitive to his partner’s needs.  And if he has something extra–say the ability to change into a wolf, like Cole Marshall, the hero of my Decorah Security novel, DARK MOON, that’s a definite plus.

And one more thing.  He looks a lot like my husband.  Only younger, thinner and taller.  If I describe him as anything besides dark-haired and dark-eyed, with a five o’clock shadow, I’m lying.

These are the kind of alpha males I write about.

What do you want in the hero of a romantic suspense novel?  Comment for a chance to win two of my favorite Harlequin Intrigues--autographed.  If you want a chance to win, please include an e-mail address in your comment.